Door with No Exit by Eric Lord & Jean-Pierre Houle

Porte sans issus by Eric Lord and Jean-Pierre Houle is an invitation to curiosity.

In the heart of the public space stands a door, alone and unexpected. A familiar object in an unusual context, it draws attention with its flashing lights and soundscape. Some will choose to observe it from afar. Others will dare to cross the threshold…

Once opened, the door reveals an interactive universe where music, light, and play intertwine. Metallic notes come to life, bells trigger different experiences, and each visit becomes unique. In turn, the door transforms into a musical instrument, a show, a puzzle, or a jukebox.

Rediscover the Joy of Exploration

Door Without Exit celebrates curiosity, wonder, and the joy of experimenting. By inviting the public to touch, listen, and interact, the work reminds us that the most beautiful discoveries sometimes arise from a simple gesture… far from screens.

Éric Lord

A professional technologist specializing in human-machine interaction for over 15 years, Éric Lord initially developed his practice in music and performance, gradually integrating technological and then interactive devices into multidisciplinary shows. His involvement in various artistic and community projects transformed this exploration into a passion for highly interactive immersive installations.

Since 2023, Éric Lord has been creating public installations that combine mechanics, electronics, and visual arts. His works celebrate curiosity, openness to the world, and reflection on our societal choices.

Jean-Pierre Houde

Jean-Pierre Houde is a designer, visual artist, and the craftsman behind Carbone - Atelier maison, based in Aylmer, Quebec. He works with wood and other noble materials in a home workshop. Jean-Pierre is passionate about design, decor, and raw materials.

Although he masters digital tools, this artist is always eager to learn and develop new ways of working with physical and tangible materials. This mastery of carpentry and digital prototyping enhances the structural and aesthetic dimension of Éric Lord's installations, especially when building structures that need to visually impress to support interactive devices.